![]() ![]() My urge to create new music is just as strong as ever, and the Neutron gives me a new and rich musical medium with which I can express myself like never before. It is exciting to have a new outlet for musical ideas that is compatible with various modes of self-production, as the COVID-19 pandemic has eliminated all my performance opportunities (the same is true for so many other musicians, as well). Those have been fun to produce as I document my journey learning more about what the Neutron can do in preparation for creating either fixed media or live pieces with it at some point in the coming year. ![]() The videos I’ve included in this blog entry, and the others that I have posted to my Twitter, Instagram, and TikTok accounts, show the Neutron can do so many other things in conjunction with different hardware. All with unlimited downloads & simple commercial licensing for any project. ![]() I can even play my Neutron on its own, without attaching a keyboard, like it has a sonic heartbeat I can bring to life. Discover millions of audio tracks, sound effects, graphic templates, stock photos, fonts & more. Sfx - Retro Electronic Bloop Video Game Scroll Menu Sound. Take up to 50 off SFX Use code SFX50 First Purchase Only. And, even though the Neutron is electronic and produces a synthesized sound, there is something very naturalistic about the way it reacts to itself and evolves in the moment. Choose from 933 royalty-free Bloop sounds, starting at 2, royalty-free and ready to use in your project. Best online sfx library for your multimedia projects. MP3 320 kbps (zip) Length: 0:02 sec File size: 109 Kb License: Attribution 4.0 International (CC BY 4.0). Great for apps, games, TV and radio broadcasting. A wide variety of sound effects for your enjoyment. ![]() This free Trap sample pack features a hand picked selection of wav samples from the full sample library. Blooper Sound Effect by alexander DecemDescription: Blooper sound effect. Some of these connections are default settings on the instrument, but others can be created spontaneously using the patch bay. Released A selection of free Trap loops from Bleep Bloop: Trap & Excess. The no signal beep is usually used in video editing for humor. Because it is a modular synthesizer, the discrete components of its sound are interwoven and can manipulate each other. Blooper Beep No Signal Visual and Sound effects Fail Beep Useful. What I love the most about playing with the Neutron is the way it listens to itself, and makes me listen in new ways. The Neutron fits the physicality of my improvisatory style, honed in middle school and high school over hours of relentless electric guitar noodling, and, in this way, has shown me a new path to making electronic music. Bloop Pop Low - human mouth generated stock sound fx. I could, of course, make a simulated instrument in Max/MSP that exhibits all these characteristics (and many more, because that program is basically limitless), but I don’t have the skills for that right now. Audio about bleep, human, body, natural, button, alert, game, mouth, attention, bubble, interface. The knobs have character and ‘give’ to them, the patch bay can get cluttered with wires, and I hear the Neutron’s sound respond, often unexpectedly, when I move my hands around the interface, experimenting with different combinations of effects and settings. Mediated through the computer screen, mouse, and keyboard, there is not as strong, if any, tactile connection between me and the sounds I’m creating, which is very different from all my experience playing instruments. I’ve written some fixed media pieces using DAWs (check out Mechanismus), and played around with Max/MSP and Supercollider, which are incredibly flexible, coding-based programs, but, in addition to being hard for me to learn, I get stuck with the physical abstraction of the experience. Chris and I did an interview with experimental bassist Gahlord Dewald a couple months after Djentdemic was premiered in February 2016, and I even admit I’m not sure if Djentdemic is an electronic piece at all (Gahlord even teases me on air for saying something so ridiculous!). When I wrote the first of these works, Djentdemic for percussionist Christopher Sies, a few years ago, I wasn’t really sure if it ‘counted’ as an electro-acoustic piece because there was no fancy software at play. If you look at my new Works List page, you’ll see that there are not many electronic pieces listed there, and most of them are for amplified acoustic instruments. I’ve always been very interested in electronic music but insecure about my abilities in the medium. ![]()
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